翻訳と辞書
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・ The Invisible Children of Love
・ The Invisible Circus
・ The Invisible Circus (circus troupe)
・ The Invisible Circus (film)
・ The Invisible Circus (play)
・ The Invisible Collection
・ The Invisible Detective
・ The Invisible Divorce
・ The Invisible Dog Art Center
・ The Invisible Enemy
・ The Invisible Enemy (Doctor Who)
・ The Invisible Enemy (The Outer Limits)
・ The Invisible Fear
・ The Invisible Foe
・ The Invisible Front
The Invisible Generation
・ The Invisible Girls
・ The Invisible Hand (The Spectacular Spider-Man)
・ The Invisible Hook
・ The Invisible Host
・ The Invisible Informer
・ The Invisible Intruder
・ The Invisible Invasion
・ The Invisible Japanese Gentlemen
・ The Invisible Kid
・ The Invisible Life
・ The Invisible Line
・ The Invisible Man
・ The Invisible Man (1958 TV series)
・ The Invisible Man (1975 TV series)


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The Invisible Generation : ウィキペディア英語版
The Invisible Generation

The Invisible Generation was a contemporary art project conceived by artist Per Hüttner and Curator Daniele Balit and organized by Vision Forum and created new meeting places between art and its audiences. A great number of projects were realized in Melbourne, Shenzhen, Beijing and Kiev in 2009-2010. For each city the program and artist list was totally new. No project was ever repeated twice. The project always allowed the audience to meet art in new and unexpected situations and played with or confused the audiences’ expectations about what art is, where it normally appears and what shape it should take.〔The Invisible Generation, ed. Gerrie van Noord, design Marie Proyard, Published by Vision Forum, Stockholm, Sweden. ISBN 978-91-978934-2-8〕
Most projects were realized in contexts where the audience does not necessarily expect to find artwork. In the metro (Dinu Li, Per Hüttner), in a newspaper office (Yan Jun), on a public square (Natasha Rosling) or even contained as a story in the mind of a person in a shop (Good TV). In other instances the project played with the perceived immutability of the artwork. The audience was asked to actively create or re-create artwork (The Anti-Hospital), remove or destroy drawings (Jean-François Robardet), bring books to be changed (Private Contractors) or in some cases it was disguised as an informative poster, graffity or political propaganda (Huang Xiaopeng, Per Hüttner).
The inspiration and title is taken from a text by William S. Burroughs where he describes a series of situation where a tape recorder is used to create new forms of meeting between people and new forms of engagement with the media.
==Melbourne, September 2009==
The first part of The Invisible Generation opened to the public in Australia in September 2009.〔http://www.undo.net/cgi-bin/undo/pressrelease/pressrelease.pl?id=1252072574&day=1253138400〕 The presentation was co-curated by Hüttner and Balit. It was introduced at the Margaret Lawrence Gallery〔http://www.vca.unimelb.edu.au/gallarchive09/#cs_3602〕 which was also the starting point for a number of interventions in the public space of the city. In the gallery were two major installations presented: Do Not Go Gentle Court by Per Hüttner and Polka Dot by French artist Mark Geffriaud.〔( The work is in the collection of FRAC Île de France )〕 The two works redefine the gallery experience through reflections on the fabric of space and time. Being situated at the boundaries between installation and performance, they delineated a space that was the starting point for the Anti-Hospital, an open-ended and evolving platform which formed the core of the project. The Anti-Hospital was designed by Melbourne-based collective Greatest Hits〔http://www.greatesthitswebsite.com/the-invisible-generation.html〕 and focused around a collection of artistic documents providing instructions that were formulated as possible actions, performances, temporary artworks, objects and social situations, scores and sonic interventions proposed by absent artists and realized by local artists, non-artists and visitors to the gallery. Greatest Hits created a dozen videos that enacted, played with and read out the instructions and together created a sort of manual to aid and inspire the visitor to relate to them.〔http://tig-melbourne.blogspot.com/2009/12/greatest-hits-video-excerpt-montage.html〕 Many instructions were interpreted, primarily by local artists while the exhibition was open to the public.
For the period of the exhibition the Anti-Hospital also coordinated a series of events, performances, actions, workshops and ways of disseminating the instructions through the media and the urban space of Melbourne including, local artists, students and a program on the screen and LEDs at Federation Square. This included the controversial project “Young Dictators” conceived and realized by Per Hüttner with two local students. The three put up 2000 copies of A4 sized posters around the city showing images of dictators such as Adolf Hitler, Saddam Hussein and Joseph Stalin as children with the text “Have you seen this child? Please contact 0432 027 925” (Hüttner’s mobile number).

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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